This also gives you a bit more freedom when creating new Spot Removals as existing Spot Removals will no longer get in the way - something that can be quite annoying if you’re doing a lot of close work on a small area of skin. If the overlays showing all of your Spot Removals are becoming confusing, press H to toggle them on and off. A lower opacity becomes useful when dealing with larger and more complex areas of skin (see below). The lower this figure, the more that the original part of the image will show through. If Lightroom doesn’t do a good job of choosing where to take its sample from, hit forward-slash and Lightroom will have another go at picking a sample area. Click on a blemish and watch it disappear.įor better blending, keep the Feather relatively high - around 80 or above - to ensure that you don’t create any strong edges. For the vast majority of skin retouching, it’s better to use Heal as Lightroom will intelligently blend in textures rather than directly copying a section of skin from elsewhere. Lightroom’s Spot Removal brush (keyboard shortcut Q) does a lot more than remove spots and has evolved significantly over the years.įor simple blemishes, it’s a quick and easy method for tidying up the skin.

This guide is split into two halves: hiding blemishes, eye bags, and wrinkles using the Spot Removal tool and improving skin texture using an Adjustment Brush.

you’re not too familiar with Photoshop or simply don’t have time for a roundtrip.

you’re not preparing an image for a large print or where the skin is going to be shown in close-up.

you have a large number of images to edit.However, sticking with Lightroom can be useful if: Photoshop offers seemingly infinite tools when it comes to retouching skin and the level of control makes it the obvious choice for professionals.

Adobe photoshop 7.0 smooth skin